展览介绍

【本次展览免费开放】

【展览时间】
开幕时间：2019年12月14日14：00
展览周期：2019年12月14日—12月24日（活动结束时间以实际活动为准）
开放时间：每周一至周日9:00—20:00（国家法定节假日除外）

【展览地址】
西卡艺术中心
杭州市上城区清波街7号

策展人：Juaniko Moreno 焕尼克
主办方：上城区文化和广电旅游体育局
上城区清波街道党工委
中国美术学院国际教育学院
杭州西卡文化艺术有限公司
承办方：西卡艺术中心
协办方：上城区清波街道清波门社区

【友情提示】
展厅内禁止吸烟
请勿在展厅内饮水、就餐或追逐喧闹
请勿触摸展品

活动详情

翁贝托·艾柯在他的《 “To say almost the same”》一书中深入探讨了译者的任务，并解释了为什么翻译只能试图让另一种语言说“几乎一样的话”。翻译是一个在符号、文化语境、习俗和同源意义之间不断推敲的过程。它可以是不同语言间的（在两种口语或书面语之间），同一语言内的（在同一种语言内，但需要像归纳总结一样重构意义），或符号间的（在两种不同的符号学语言之间，即从小说到电影，或从诗歌到绘画）。而译者所承担的这些角色，也可以说就是艺术家的日常工作。

In his book “To say almost the same”, Umberto Eco delves into the task of the translator, and explains how translation can only but aspire to say “almost the same” in another language. It is a constant negotiation process, between interpretation and transmutation of signs, cultural contexts, customs and homologous meanings. Translation can be interlinguistic (between two spoken or written languages), intralinguistic (within the same language but reformulating the meaning, like making a summary) or intersemiotic (between two different semiotic languages, which is to say, from a novel to a movie, or a poem to a painting). All of those roles and characteristics of a translator, may as well describe the daily work of an artist.

安智恩 / 韩国 A MAN 2019 布面油画

用这些角色来定义中国美术学院的国际学生的情况更是恰如其分，因为国际学生正面对的是他们的故国和现在生活的环境、他们的母语和正在学习的语言、或者是通俗文化符号、人际关系和他们自己想象中不同维度之间的多层次的翻译、诠释和交流。

The international student condition in the China Academy of Art could not be more accurately defined by all of these roles. Students are faced with multiple levels of translation, interpretation and communication between their home context and the one they live in, their mother tongue and the ones they are learning, or the different dimensions to the symbols in popular culture, human relations and their own imaginaries.

西海望 / Japan 日本 母性 2019 混合媒体

这次展览我们挑选了一些优秀学生作品来更好地展现艺术家在这种不同“语言”之间推敲的日常工作。不但希望在展现出来的多样性中，观者能够寻得些许克服语言桎梏的门径，并进一步了解艺术家作为个人和作为一个整体所拥有的不同含义。更盼望在此能找到一种“超语言”：一种可以联结其他语言但又不限制自身的语言，一种能随着含义自然流淌但又不被编入字典的语言，一种既代表已知又能代表未知的充满生命力的语言。

For this show, we have selected some outstanding works of those students, which better portray this daily negotiation between “languages”. We hope that within the diversity here shown, the spectator can find several gateways to overcome the boundaries of language and access the complex and polysemic nature of the artists, both as individual and as a collective. We aspire to find a “supra-language”, a language that accesses to all others but refrains from limiting itself, a language that flows through meanings but cannot be indexed into a dictionary. A living language of both the certain and the unknown.

Devin Junior / 印度尼西亚 崇拜 相纸

此次展览中，来自不同国家的艺术家们对阐释作品的本体语言十分敏感，他们对自身创作的材料具有很强的驾驭能力。从纸本、画布、刺绣、油漆、玻璃钢、装置、印刷、影像等合成形式，到木头、植物、石墨、钉子、化学制品、玻璃工艺品、废弃木板等组合材料，展览中呈现的创作媒介类型丰富多样，但始终不离艺术家传递出的“主题语言”。在任一类作品里，这些材料不仅给人直接强烈的视觉美感，同时深藏在画面中的作品力量，也记录着每一位国际学子人生经历里烙印的精神痕迹。

In this exhibition, artists from different nationalities and origins approach artistic creation as a sensitive channel of communication. By means of shaping and fusing materials such as paper, canvas, glass, fabric or oil, through processes like printing, painting, embroidering, exposing or editing, they open a diversity of paths that convey in the shared theme of “language”: as a mean, as an end, as a platform; trying to ultimately overcome it, in order to stablish a mutual understanding through the common experiences hidden within every image, through the spiritual traces that mark the life experience of every international student’s journey.

释放 2019 植物和木头

Elena Geleva / 马其顿 佚名

关于策展人 About the Curator

策展人 Juaniko Moreno 焕尼克

Juaniko Moreno (Bucaramanga, Colombia, 1993)

Bachelor of Fine Arts from the National University of Colombia (2016) and currently studying a Master’s Program on Curatorial Studies in the China Academy of Art, Hangzhou, CN. 

西卡艺术中心

西卡艺术中心一楼展厅会定期举办高质量的艺术展活动，近期举办过的展览：
“容——格调的选择”艺术油画展、“梦的印记”——印度艺术家古巴塔个人现代绘画展和塞尔维亚艺术家米阳光（Svet Milu）个人艺术展览以及美院2019年毕业生作品展，同时，积极开展以“艺术实践进社区”活动，为街道和社区举办艺术课堂、讲座、国际文化艺术周等社区活动。

艺术家古巴塔

艺术家米阳光